Johann Sebastian BACH (1685-1750)
From Cantata: Liebster Jesu, mein Verlangen, BWV 32
Aria: Liebster Jesu, mein Verlangen for soprano, obbligato oboe, string ensemble, and basso continuo Recitative: Was ist’s, was ist’s daß du mich gesuchet? Aria: Hier, in meines Vaters Stätte for baritone, obbligato violin, and basso continuo Sherezade Panthaki (soprano) John Buffett (baritone) Lot Demeyer (baroque oboe) Kati Kyme & Lindsey Strand-Polyak (baroque violins) Ellie Nishi (baroque viola) William Skeen (baroque violoncello) Denise Briesé (violone) Preethi de Silva (harpsichord, artistic director) |
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BACH
From Cantata: Gott der Herr ist Sonn' und Schild, BWV 79
Aria (a due): Gott, ach Gott, verlaß die Deinen nimmermehr for soprano and baritone, two obbligato violins and basso continuo Sherezade Panthaki (soprano) John Buffett (baritone) Kati Kyme & Lindsey Strand-Polyak (baroque violins) William Skeen (baroque violoncello) Denise Briesé (violone) Preethi de Silva (harpsichord, artistic director) |
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BACH
CANTATA Mein Herze schwimmt im Blut, for soprano, oboe, string ensemble, violoncello, violoncello piccolo, and basso continuo, BWV 199
Recitative Mein Herze schwimmt im Blut Aria Stumme Seufzer, stille Klagen Recitative Doch Gott muß mir gnädig sein Aria Tief gebückt und voller Reue Recitative Auf diese Schmerzensreu Chorale Ich, dein betrübtes Kind Recitative Ich lege mich in diese Wunden Aria Wie freudig ist mein Herz Sherezade Panthaki (soprano) Lot Demeyer (baroque oboe) Kati Kyme & Lindsey Strand-Polyak (baroque violins) Ellie Nishi (baroque viola) William Skeen (baroque violoncello) Denise Briesé (violone) Preethi de Silva (harpsichord, artistic director) |
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Johann Sebastian BACH (1685-1750)
From Cantata: In allen meinen Taten, BWV 97
Aria: Ich traue seiner Gnaden for tenor with obbligato violin, and basso continuo John Lee Keenan (tenor) Kati Kyme (baroque violin) William Skeen (baroque violoncello) Preethi de Silva (harpsichord, artistic director) |
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BACH
From Cantata: Liebster Immanuel, Herzog der Frommen, BWV 123
Aria: Laß, o Welt, mich aus Verachtung for baritone, obbligato flute, and basso continuo John Buffett (baritone) Julie Long (transverse flute) William Skeen (baroque violoncello) Preethi de Silva (harpsichord, artistic director) |
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BACH
From Cantata: Mit Fried und Freud ich fahr dahin, BWV 125
Duet: Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden for tenor, baritone, two obbligato violins and basso continuo John Lee Keenan (tenor) John Buffett (baritone) Andrew McIntosh (baroque violin) Kati Kyme (baroque violin) William Skeen (baroque violoncello) Denise Briesé (baroque violone) Preethi de Silva (harpsichord, artistic director) |
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BACH
From Cantata: Herr, gehe nicht ins Gericht, BWV 105
Aria: Wie zittern und wanken der Sünder Gedanken for soprano, obbligato oboe, violins, and viola Andrea Zomorodian (soprano) Lot Demeyer (baroque oboe) Andrew McIntosh (baroque violin) Kati Kyme (baroque violin) Ellie Nishi (baroque viola) |
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BACH
From Cantata: Am Abend aber desselbigen Sabbats, BWV 42
Aria: Jesus ist ein Schild der Seinen for baritone, two obbligato violins and basso continuo John Buffett (baritone) Kati Kyme (baroque violin) Andrew McIntosh (baroque violin) William Skeen (baroque violoncello) Denise Briesé (baroque violone) Preethi de Silva (harpsichord, artistic director) |
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Georg Philipp TELEMANN (1683-1767)
From Cantata: Was gleicht dem Adel wahrer Christen, TWV 1:1511
Aria: Walle vor Inbrunst, erfreuliches Geblüte for tenor, obbligato oboe, and basso continuo John Lee Keenan (tenor) Lot Demeyer (baroque oboe) William Skeen (baroque violoncello) Preethi de Silva (harpsichord, artistic director) |
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BACH
From Cantata: Liebster Jesu, mein verlangen, BWV 32
Duet: Nun verschwinden alle Plagen for soprano and baritone, obbligato oboe and violin, string ensemble, and basso continuo Andrea Zomorodian (soprano) John Buffett (baritone) Lot Demeyer (baroque oboe) Andrew McIntosh (baroque violin) Kati Kyme (baroque violin) Ellie Nishi (baroque viola) William Skeen (baroque violoncello) Denise Briesé (baroque violone) Preethi de Silva (harpsichord, artistic director) |
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Johann David HEINICHEN (1683-1729)
Sonata in C minor for oboe, violin, and basso continuo, S. 258
1. Allegro Lot Demeyer, baroque oboe Carla Moore, baroque violin Alexa Haynes-Pilon, baroque violoncello Preethi de Silva, harpsichord |
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Silvius Leopold WEISS (1687-1750)
Sonata in D minor for lute
Prelude Allemande Courante Bourée Menuet Sarabande Menuet Gigue Chaconne in G minor Fantasia in C minor John Schneiderman, baroque lute, guest artist |
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Johann Georg PISENDEL (1687-1755)
Sonata in D major for violin and basso continuo
2. Larghetto 3. Allegro Carla Moore, baroque violin Preethi de Silva, harpsichord |
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Jan Dismas ZELENKA (1679-1745)
Sonata III in B-flat major for, oboe, violin, ‘cello, and basso continuo, ZWV 181
1. Adagio 2. Allegro Lot Demeyer, baroque oboe Carla Moore, baroque violin Alexa Haynes-Pilon, baroque violoncello Preethi de Silva, harpsichord |
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Johann Adolf HASSE (1699-1783)
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Johann Sebastian BACH (1685-1750)
From Cantata Also hat Gott die Welt geliebt, BWV 68
Aria: “Mein gläubiges Herze," for soprano and obbligato violoncello piccolo, with oboe, violin, and basso continuo Andrea Zomorodian (soprano) Lot Demeyer (baroque oboe) Janet Worsley-Strauss (baroque violin) William Skeen (violoncello piccolo) Alexa Haynes-Pilon (violoncello continuo) Preethi de Silva (harpsichord, artistic director) |
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Georg Philipp TELEMANN (1681-1767)
Cantata Die Hoffnung ist mein Leben, for baritone, obbligato violin, and basso continuo, TWV 20:48
Aria: “Die Hoffnung ist mein Leben”—Recitative-- Aria: “Die Hoffnung bleibt ewig der Trost unsres Lebens" John Buffett (baritone) Janet Worsley-Strauss (baroque violin) William Skeen (baroque violoncello) Preethi de Silva (harpsichord, artistic director) |
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J. S. BACH
From Cantata Schwingt Euch empor, BWV 36
Aria: “Auch mit gedämpften, schwachen Stimmen," for soprano, obbligato violin, and basso continuo Andrea Zomorodian (soprano) Janet Worsley-Strauss (baroque violin) William Skeen (baroque violoncello) Preethi de Silva (harpsichord, artistic director) |
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J. S. BACH
From Cantata Ich will den Kreuzstab gerne tragen, BWV 56
Aria: “Endlich, endlich wird mein Joch wieder von mir weichen müssen," for baritone, obbligato oboe, and basso continuo John Buffett (baritone) Lot Demeyer (baroque oboe) William Skeen (baroque violoncello) Preethi de Silva (harpsichord, artistic director) |
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